Thursday, August 14, 2008

A Brief Exercise in Historical Imagination (Beijing Continued)

By the dawning of our third day in Beijing, we knew the drill pretty well. We met Samantha in the lobby, and were soon on our way for the most important step of the tour -- getting all the tourists from the lobby. It took an hour and a half of driving around the city to retrieve our tour group, which consisted of a nice family of Austrians who didn't speak much english, and a nice family of English people who didn't speak any German, and us.

We started off at the Ming Tomb (actually one of multiple Ming Tomb sites; ours was the Chang Ling tomb). The centerpiece of the site was a gigantic marble stele inscribed with the name and deeds of the emperor. The stele was a dingy red color and covered with scratches and faded graffiti. Samantha caught my questioning look and said, "Yes, long ago this monument was white. During the Cultural Revolution, the Red Guards came here and tried to destroy it. They burned it and stained it red."

This is the kind of thing you hear a lot on a tour of China. For those of you who don't know much about Chinese history, the Cultural Revolution was a movement whose stated goal was "to rid China of its liberal bourgouise elements." In practical terms, it encompasses more or less a decade of violence, chaos, and destruction beginning in 1966, peaking in 1969, and (in most people's minds) ending with the arrest of four of its key proponents in 1976. Gangs of semi-legitimized thugs (the Red Guards) swarmed over the country closing schools, shutting down businesses, destroying relics of Chinese history, plundering people's belongings, and humiliating, beating, or killing those whom they decided were not sufficiently enthusiastic about the reign of the proletariat. As you may have guessed, the only sure-fire way to be sufficiently enthusiastic was to participate. Apart from the apalling human cost of the Cultural Revolution, many artefacts of China's unrivalled history were damaged or lost. Such as? Well, a home and temple compound was almost completely destroyed and its scrolls burned by a rampaging mob of students and staff from Beijing Normal University; it had belonged to a prominent ancient philosopher named Kong Fuzi. You may know him as Conficius.

So I wasn't surprised that the Red Guards had made an attempt on an imperial tomb. I did find it vaguely amusing, however (as I have at other places) that these thugs were so ineffective. Here's what apparently happened -- some young punks are hankering to go out and break things and hurt people (all in the name of revolution, naturally), and one of them says, "Hey! The tombs of those Ming oppressors are just a day's hike or so! Let's go smash 'em!" (of course, he said it in Chinese). His cohorts enthusiastically follow, and they kick the gates in, shouting revolutionary slogans and waving their revolutionary implements of destruction. They chop up the available woodwork and line up to spit on the imperial altar. Then they head for the stele -- it would be the most obvious target for destruction, since it's a twenty-by-five-by-ten slab of white marble. "Haha!" they shout, as they kick it and hack at it with their crowbars. "Take that, you capitalist-road filth! No-one will revere your memory any longer! Long live the rule of the people!" After about fifteen minutes, this gets a little old, and they decided to actually break the thing, not just take a few small chips out of it. "Ok, who brought the heavy equipment?" says the leader. "Ropes? Block and tackle?" Everyone looks around at each other and there's a long silence. "This pig isn't worth our time!" pipes up one of them eventually. "Let's just burn it!" A cheer goes up. They build a fire around the slab, scribble graffiti like WANG WAS HERE AND SPITS ON THE EMPEROR, sing a few revolutionary songs, and wander off in search of a doctor to beat up.

Ultimately, however, the most devastating rebuttal to the Cultural Revolution isn't a Canadian making fun of it; it's the fact that virtually no-one cares about the art and aesthetic of the Cultural Revolution, but millions of people (foreign and Chinese) pour into these sites every year to admire the splendor of those parts of Chinese heritage that endured every attempt to destroy them. History is not without a sense of irony.

But seriously, setting fire to a marble slab? That was dumb.

Dave

1 comment:

Anonymous said...

Hey, Dave!
I love the narration about the Cultural Revolution! But it does bring a questin to mind: Was there any art and aesthetic in the Cultural Revolution?
Keep up the tour! I can't wait to read what happens next.
Love,
Mom W
PS: It has prompted me to do a little reading on China's history, esp. Mao